Julia Dolgova (St. Petersburg)
WHAT WOULD YOU DO IF THERE WERE NO INSTRUCTIONS?
Wherever my searches for physicality, awareness, meaning, mechanics or reasons for movement take me, contact improvisation and jam remain the background that always shines through new experience and comes close when there is a need for trials, practice, interaction and confrontation with physical reality. For me it is always an invitation to be in a familiar place, but not to return, but to review the practice and re-designate internal guidelines.
This time I don't want to take any specific aspect of contact interaction, but I want to take a general look at what the dance consists of, what jam consists of. Movement, weight, lifts, awareness, sensitivity, body, duet space, shared jam space, look, observation, change, choice, partner, dialogue ... what components support us in building a dance, without which components jam loses its volume, and we lose our involvement in what is happening? What do we rely on if the supports disappear? What do we rely on if the teacher's instructions disappear? And this is exactly what happens when we find ourselves in a situation of improvisation or a jam.
We will dwell on some aspects of physicality and space and then continue to look into the general. We will dance a lot, reconstructing the space of jam and its infinite forms, saying important things and paying attention to details. I don't want to skip over the special moments, where perhaps the most inconvenience or tension arises. I want to be able to stop and see the dance not as adding something new but as unpacking, unfolding, developing what is already happening.